Posts Tagged ‘Horse + Bamboo’

Summer…

Thursday, July 22nd, 2010

Loz has just completed his residency at the North West Sound Archives. The project culminated in a sound installation at Clitheroe Castle, with sounds echoing over to Pendle Hill. Quite a spectacular setting. There are a couple of extracts on the project soundcloud site, along with fascinating snippets from the archives.

Also, he has just undertaken a week’s masterclass at Horse and Bamboo theatre, as well as a workshops at Accrington Academy and the Bolton Octagon. After moving on from Salford University, he will be a visiting teacher at Liverpool’s prestigious LIPA. He is now signing out for a month over summer to recharge creative batteries ready for new creative challenges….

Taking the Leap…

Tuesday, March 30th, 2010

I am going to be running a professional training course along with puppeteer Mark Whitaker at Horse + Bamboo – here’s the information.

Loz teaching

Loz teaching on a professional development week at Horse + Bamboo.

TAKING THE LEAP…

A Horse + Bamboo  Masterclass exploring ‘Little Leap Forward’

This is a rare opportunity to train with Horse + Bamboo’s Associate Artists Loz Kaye and Mark Whitaker. This intensive week course will introduce participants to Horse + Bamboo’s current working practices and give a unique behind the scenes look at how  the show ‘Little Leap Forward’ was put together. You will come away with a raft of new tools for creating your own work or teaching, and a healthy dose of inspiration from what Jane Horrocks describes as ‘this must see company’.

The work will have three focuses – mask, puppetry and space. We will explore techniques for Horse + Bamboo’s characteristic helmet masks- physical characterisation, the reveal, energy, tempo, internal monologue. ‘Little Leap Forward’ has a rich variety of puppetry techniques which we will work with- multiple person operated table top puppets, chinese style hand puppets and whole body shadow puppetry which we developed at our base at the Boo. We will also get to grips with some of the fundamental principles of object theatre, the relationship of the puppeteer to the object and the notion of animation and transfer of energy.

Finally, we will introduce the latest techniques Horse + Bamboo have been developing in shows like ‘Deep Time Cabaret’. This is the idea that the animation of the whole performing space is a type of puppetry. We will look at how objects, light, sound and video become an extension of performance rhythm, and how changes of physical scale can become a playful part of storytelling.

The masterclass will take one of the current shows from the repertoire: ‘Little Leap Forward’ as its focus. This moving account of the true story of Guo Yue’s childhood in Cultural Revolution Beijing gained 4 stars in Lyn Gardner’s Guardian review…

We will use this as a way of showing how technique can be put in to practice. There will also be a chance to meet the show’s director Alison Duddle, and gain insight in to Horse + Bamboo’s working process, and how we transformed this book in to a stage work.

So, take the leap in to the fascinating theatrical universe of Horse + Bamboo.

July 12th-16th 2010, 10-5.30 each day. Taking place at the Boo, Waterfoot, Rossendale.  Cost £250. To book contact alison@horseandbamboo.org .

Surfing the Zeitgeist

Tuesday, March 23rd, 2010

Oh dear I haven’t been keeping up with surfing the virtual zeitgeist recently. Or that is to say I have been tweeting and working away on a beta version of lozkaye.com , but neglecting the blog. Maybe in one of my favourite workshop phrases, ‘your silence lends you dignity’.

Actually that is mostly why the Isle hasn’t been so full of noises- I have been focussing on teaching rather than creating work recently. I don’t like to blog about the workshop side of things, I don’t think it’s very fair. Although I will say this much, I have had a great time at the residencies at the Conway Centre in Wales this year. Great staff and students, and most inspiring. It looks as if I am to become an Associate Artist there. Watch this space for develpments.

The next show is calling though. It is the retour of Horse + Bamboo’s show ‘Little Leap Forward’, which I wrote music for in 2009. This had a very successful run in ‘09, opening at the Royal Exchange Studio Manchester, gaining a 4 star review by Lyn Gardner in the Guardian. Like a number of Horse + Bamboo shows it is based on a life story, but unusually it follows the structure of an existing book of the same name. And the protaganist, noted Chinese flute player Guo Yue, is still alive. Yue provided some of his extraordinary bamboo flute playing for the sound track, and recording with him has to be one of the best days in my musical life…

‘Little Leap Forward’ opens again in May at the Dukes Theatre and Lancaster, and tours the UK. We want to make a few changes for the sake of clarity and focus, so I’ll let you in to the process of that as we go.

The Making of Little Leap Forward on YouTube

A pause in proceedings

Wednesday, February 24th, 2010

So, blinking in to the light of day once more out of the theatre and rehearsal rooms. Actually not so much light of day as the UK still seems gripped by temperatures more suited to FB&TV’s ‘Hypothermia’ (see previous posts with the tag thingummy).

The show has had its first outing now, venturing up to the Stephen Joseph Theatre in Scarborough. This place is something of a theatrical legend, being the site of many an Alan Ayckbourn premiere. Be that as it may, I made a few tweaks to the ‘Hypothermia’ sound score responding to the run at the Lawrence Batley. The chief difference being some atmospheric sound at the end of the interval to get people back in to the mood after their gin and tonics.

Took the chance to escape to my parents for a few days as it has been something of a full on beginning to the year. So now the batteries are recharged for teaching and workshops. It’ll be a few weeks before the next show starts making its presence felt- next up, the retour of Horse + Bamboo’s ‘Little Leap Forward…’

At it again.

Wednesday, January 6th, 2010

So I surface once more. Or rather, I am still at home composing and recording. Unlike much of the UK I have no excuse not to get on with it.

This year’s work was ushered in with a meeting with director Andrew Kim at Manchester airport, catching him on his way over to Århus. It was a chance to catch him up with my current thinking about ‘Race Dog’ (see previous post) and hand over a rehearsal CD. Suddenly I had visions being detained as he would have had to answer yes to the question ‘Has anyone given you something to take on board?’. Still, he seems to have made it OK to Denmark, and rehearsals are underway. I have been rearranging the dance number. Yes, of course there is a dog dance duet, in the style of Cole Porter. I have enjoyed writing some suitably suggestive lyrics, coded in canine metaphor.

Hopefully I should be meeting up with H+B’s artistic director Bob Frith (one of iPM’s nominations for person of the year) tomorrow. If he can battle through the icy wastes.

It’s Getting Colder

Tuesday, December 1st, 2009

Yes, it’s getting colder. Frost outside this morning, and further in to the frozen world of ‘Hypothermia’- see previous blogging. Had a great morning over at FBTV working with the director Vanessa, Ben from the cast and other Full Body course members. The kind of balance of fun and focus that I like.

The first tracks for the show are laid down, and the musical world is becoming clear. This evening I have been carrying on work on the backing for a physical sequence in the second act, introducing a scene which hinges around the typing out of a report that will seal the fate of two of the characters. I have been creating rhythms out of samples of typewriting, and am rather pleased with the results. It has an edgy urgency, which I have combined with some of my trademark manic pianos. The bass line is inspired by ‘Der Doppelgänger’ from Schubert’s ‘Schwanengesang’. The point is that the characters have two sides and duplicity. But whereas the Schubert original is placid, I have been pounding away on the keyboard here in the home studio.

In other news the tour of ‘Deep Time Cabaret’ has come to an end, the piece returning to its home in Rossendale, with a very assured performance to finish off. So now the question is- does it have a life beyond this year? Watch this space…

The birds are flown

Monday, November 9th, 2009
Production shot of Sonya Moorhead in 'Deep Time Cabaret'

Production shot of Sonya Moorhead in 'Deep Time Cabaret'

Things are a bit clamer as the current flock of shows I have been writing music for and MDing are out on the road. 2 are threading their way across the British Isles this coming week. It is already the last week of Trestle Theatre’s ‘Glass Mountain’ which finishes up in Colchester. Horse + Bamboo’s ‘Deep Time Cabaret’ continues its travels to the end of November. The bamboo folk are finding their way back to the saftey of the north after a brief sojurn in the capital for Little Angel Theatre’s ‘Suspense’ Festival.

It’s always a strange thing for me when a show has bedded in and takes on its own life out on the road. The rehearsal period is always so intense and you end up having this intimate relationship with the material and living in the pockets of the performers. Then suddenly it is free … I have sudden moments of realising ‘Oh, people in Hexham are listening to my music now’. It’s quite a curious feeling like part of oneself has become detached.

There Was a Great King…

Friday, November 6th, 2009

Somewhat held up in my plans for internet domination by the broadband connection going down yesterday. It turns out that BT had managed to connect me to someone else’s phone line. If that had gone undetected I guess I could have ended up with a free internet connection, but there you go…

The first track of the ‘Veil’ CD ‘There Was a Great King’ is available for streaming. Just click the title to go through to the link. This has some more quartertone playing and solos inspired by a Saddam Hussein era Iraqi pop LP ‘Choubi Choubi’.

Veil CD launch – and link to free download…

Wednesday, November 4th, 2009

Veil Poster

Excited about the launch of the CD of the music from the Horse and Bamboo show ‘Veil’. It has been a while coming given the piece was touring in 2008, but now it can be ordered from the H+B website. It features 18 tracks from this epic spanning 2 generations, 2 families and 2 continents. I’m on vocals, trumpet, flutes, keyboards, percussion and programming, and there are vocals and arabic narration by Faliha Kadhim.

‘Veil’ is one of the projects that has been most challenging for me and I have been most passionate about, not least because its backdrop of the recent Iraq war. For me, it meant having open up to arabic music- necessary for the storytelling of the piece. It was certainly a fascinating research period, particularly as arabic music uses scales built on 24 notes to the octave. For non music geeks, that’s like trying to find extra notes in the cracks between the keys of the piano. I specially altered and tuned an autoharp to evoke the sound of the iraqi zither for use in recording the soundtrack.

You can hear the effect here on Wearing Black hosted on Soundcloud, which is available for streaming and free download. Don’t say I don’t give you anything.